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September 1 2010 Hold the Front Page! Or, to be more accurate, can you come back a bit later? I always update the site on the first of the month and I didn’t want to miss this one, but I do have something really rather special on the way - some previously unpublished photographs of the Spirits Rejoice session. Guy Kopelowicz was at New York’s Judson Hall in September 1965 and wrote a series of articles on the new jazz for the French magazine, Jazz Hot, and he also took some photographs. Some of the photos have been published elsewhere, but Guy recently came across the negatives (which he thought he’d lost forever) and there are fifteen in total, some of which will be published on this site for the first time. So, many thanks to Guy for letting me do this, and as soon as I get them (hopefully in the next few days) I’ll put them in the Archives and do another quick update of this page. * Festivals Still can’t find any reviews of the First Annual Albert Ayler Festival which took place on Roosevelt Island, New York in July but Roy Morris passed on an email from Joe Rigby, who played at the festival and had the following to say: “The fest. went well. I played with Andrew Lamb and Daniel Carter in a trio saxophone thing for about 15 minutes, that was good.( I played sopranino). Later in my solo slot, I played quotes of "Ghosts" on Baritone, and played "Body & Soul" on tenor. The people seemed to enjoy it. It was cloudy and overcast all day.... when my solo slot came it got sunny.... go figure!!!” Since the Sant’ Anna Arresi Ayler-themed festival only ended a couple of days ago I suppose it’s too early to expect to find reviews, photos, videos, etc. - although I thought these days everyone was supposed to be carrying cameras in their phones and posting stuff immediately on youtube and the like (can’t think the entire audience was composed of miserable buggers like me). * My Name Is Albert Ayler Kasper Collin’s film is due to appear at the 14th Miami Jazz Film Festival which runs from September 30th to October 4th. There’s also a February 8th date for next year at the California State University listed on the film’s website - but still no news of a DVD release. I sent an email the other day asking if there was any sign of the DVD but received no reply. Does anybody know what’s going on? * Henry Grimes Finally, Henry Grimes continues to amaze the world, and in September will be appearing here: Friday through Sunday, Sept. 3rd-5th, music from 9:3O p.m: Henry Grimes, Edward "Kidd" Jordan, and many master Chicago musicians, including Tatsu Aoki (Fri.), Harrison Bankhead (Sat. & Sun.), Avreeayl Ra (Sat.), Isaiah Spencer (Sun.), Chad Taylor (Fri.), Mars Williams (Sat.), Francis Wong (Fri.), and more surprise guests, in Chicago Jazz Festival after-sets at the great Fred Anderson’s Velvet Lounge, 67 East Cermak Rd., Chicago, music from 9:3O p.m. Wednesday, Sept. 8th, 1O-11 p.m: Henry Grimes solo radio broadcast with Lazaro Vega over WBLV-FM, 9O.3 / WBLU-FM, 89.9, Blue Lake Public Radio, Twin Lake, Michigan. Friday, Sept. 1Oth, 11:3O p.m: Henry Grimes w/ Jane Bunnett & Andrew Cyrille, Guelph Jazz Festival at St. George's Anglican Church, 99 Woolwich St., Guelph, Ontario N1H 3V1, Canada. Sunday, Sept. 12th, 1O:3O a.m!: Marc Ribot Trio w/ Henry Grimes & Chad Taylor, Guelph Jazz Festival, at Guelph Youth Music Center, 75 Cardigan St., Guelph, Ontario N1H 3G7, Canada. Monday, Sept. 13th, 8 p.m: Henry Grimes w/ Jane Bunnett & Andrew Cyrille at Gallery 345, 345 Sorauren Ave., Toronto, Ontario M6R 2G5,Canada. Tuesday, Sept. 14th, 12:3O p.m: Henry Grimes master class at Humber College, 3199 Lake Shore Blvd. West, Toronto, Ontario M8V 1K8, Canada. Wednesday, Sept. 15th, early evening: Henry Grimes visit to the Colored Musicians Club, 145 Broadway, Buffalo, NY 142O3.,A historic club where Albert and Gene Ammons, William "Count" Basie, Art Blakey, Edward Kennedy "Duke" Ellington, Ella Fitzgerald, John Birks "Dizzy" Gillespie, Billie Holiday, Lena Horne, James Moody, Hezekiah "Stuff" Smith, Sonny Stitt, and many more have played in the past while on the road. Thursday, Sept. 16th, 1O a.m(?): Henry Grimes master class, Buffalo Academy for Visual & Performing Arts, 45O Masten Ave, Buffalo, NY 142O9. Thursday, Sept. 16th, 8 p.m: Henry Grimes (solo bass, solo violin, poetry) in the church sanctuary at Hallwalls Contemporary Arts Center, Asbury Hall, 341 Delaware Ave., Buffalo, NY 142O2. Friday, Sept. 24th, 7 p.m: Henry Grimes and Marilyn Crispell, Rubin Museum of Art, 15O West 17th St., New York City., "Harlem in the Himalayas" series. And if you can’t make any of those: Tuesday, Sept. 21st: Official release date of Henry Grimes and Rashied Ali's CD "Spirits Aloft," recorded in concert at Rutgers / Camden in Feb., 'O9, on Porter Records (PR-4O49), |
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*** August 1 2010 News Sant’ Anna Arresi Jazz 2010 |
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The Sant’ Anna Arresi Jazz Festival, which this year is inspired by the music of Albert Ayler, takes place this month on Sardinia. The English language version of the festival’s website doesn’t seem to be working yet, but the original festival website has a programme of events in Italian (you can also download it here). This is a brief rundown: August 23: ZU (Special guest Peter Brotzmann) August 24: August 25: August 26: August 27: August 28: August 29: August 30: * I did have a look round for reviews of the First Annual Albert Ayler Festival which took place on Roosevelt Island in New York on July 10th, but all I could find was a drawing. * Moving into the 21st century, I was quite taken by a series of videos on youtube, although I think the connection to Albert is a bit tenuous. Basically it’s a bloke playing a saxophone while a woman reads a book and is in six parts. The book is Les Treize Morts d’ Albert Ayler and the only information I could find about the ‘event’ was the brief description on youtube: “Lettre aux morts de Michael Guinzburg, extrait du roman collectif « Les treize morts d'Albert Ayler», avec Garance Clavel & Akosh Szelevényi, dans le cadre des « lectures de roman noir en musique », le 4 juillet 2010, au Théâtre de verdure, jardin du musée du quai Branly, Paris.” I have no idea why (maybe because everything sounds better in French, maybe it’s the mirror in the background, maybe it’s the butterfly, or maybe I’m just hankering after the ‘bee-loud glade’) but I did find it quite mesmerising. Here’s the first part and you’ll find the rest on youtube:
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News of the site Last month, thanks to Pierre Crépon, I put a lot things on the site. This month, there’s just one. Again it comes courtesy of Pierre, but I also have to thank Pedro Mendes from Brazil for providing the original scans. It’s an article from Cadence magazine from April 1976 in two parts. The first is a brief biography of Albert written by fellow Clevelander, Jon Goldman (who was responsible for the La Cave recordings on Holy Ghost) which gives a different slant to the oft-told tale. The second part is an overview by Martin Davidson of the Ayler records which were available in 1976. As usual, I disagreed with a lot of his views, but he does rate Don Ayler very highly, so that’s good. It’s in the Articles section of the Archive and can be accessed here: Albert Ayler Life and Recordings * And, although this should be up above in the News section, it is a bit early (Richard Koloda just sent me an email), and I thought I’d just mention it in relation to the Jon Goldman article. Mark Ribot’s Spiritual Unity group is playing at the Cleveland Museum of Art on Friday, 18th March, 2011. So, it may take a little time, but eventually the prophet does get recognized in his own land - any chance of a statue? * And finally, just in case you read right down to the bottom of this page and think of doing a Ronald Reagan impression, I’ve had to split this year in two. So this year’s news from January to June is now in the Archive. *** July 1 2010 News First Annual Albert Ayler Festival - July 10th |
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Rather than commemorate the 40th anniversary of Albert Ayler’s death, there are a couple of concerts in July, one in New York, one in London, celebrating the 74th anniversary of Albert’s birth. The First Annual Albert Ayler Festival takes place on Saturday July 10th on Roosevelt Island, New York, and is a free, outdoor festival running from 2 to 10 pm, featuring performances from Giuseppi Logan, Charles Gayle, Gunter Hampel, Marshall Allen and many more. The event has been part-organised by ESP-Disk and full details are available on the festival’s website. * The Albert Ayler Life Celebration! - July 13th |
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And on Tuesday, July 13th (Albert’s birthday) there’s a concert at the Vortex Club in London. The concert kicks off at 8.30 pm, tickets are £10 and you can book online on the Vortex site which describes the event thus: “A very special evening honouring the 74th birthday of the legendary saxman whose influence pervades modern improvised music to this day. Bassist Jair-Rohm Parker Wells will lead a sextet of some of the leading voices on the scene today. The legendary John Sinclair (spoken word) will provide a narrative backdrop to the spirited group improvisations of Tony Bianco (drums and cymbals), Shabaka Hutchings and Lol Coxhill (saxes), Ian Smith (trumpet) and Simone Weissenfels (piano).” * Jeff Schwartz Site Thanks to David Colosi for letting me know that Jeff Schwartz’s biography of Albert Ayler (which was the second website I ever went on - I think the first was yahoo to find it) has changed its address following the closure of GeoCities (rather ironically by yahoo). It’s now available at http://www.reocities.com:80/jeff_l_schwartz/ayler.html. Apologies if there are some dead links to Jeff’s site scattered around this one. *** News of the site Cricket Don’t worry, I’m not going to wax lyrical about the most boring game known to man - The Cricket was a magazine produced by Amiri Baraka back in the sixties, and one issue contained the slightly worrisome essay by Albert Ayler, ‘To Mr. Jones - I Had A Vision’. I transcribed that and put it on the site a while back, but it always bothered me that it was one of the things used by various commentators to indicate the slightly questionable state of Albert’s mental health towards the end of his life. I always felt it was just a product of its time. Back in the sixties we were all a bit daft and we all thought (and wrote) daft things to keep in with the current trends. So, when Pierre Crépon sent me a copy of The Cricket 4 containing Ayler’s essay, I thought it might be worthwhile putting the whole magazine on the site to give Albert’s vision of flying saucers and the bible and all the rest, a bit of context. The actual work of scanning the magazine had been done by Richard Koloda in Cleveland, and I’m grateful to him for allowing me to do this. As well as ‘To Mr. Jones - I Had A Vision’, this issue also includes a damning review of New Grass and in the Gossip section, an equally scathing review of a Don Ayler concert, which has also been quoted extensively (admittedly with more reason) as evidence of Don’s declining mental state at the time. So, for a trip back down memory lane when all was peace and love and we all wore flowers in our hair, play your Spanky & Our Gang records, for a trip back to weird and crazy backbiting times read * Did the F.B.I. kill Albert , or was it the ghosts? Pierre Crépon also sent me some issues of Actuel magazine and pointed out a couple of Ayler-related items. The first, which is in the Articles section of the Archives, exemplifies that overtly political approach to Ayler which the French magazines of the time seemed to take. It was published, in response to the news of Albert’s death, in the January 1971 issue of Actuel under the title: UNE PANTHÈRE NOIRE DE PLUS DESCENDUE PAR LE F.B.I. The other one is quite bizarre. As bizarre in fact as that French release of The First Recordings with the sleevenotes consisting entirely of quotes from H. P. Lovecraft. Maybe it’s coincidence, but I do wonder if, while the rest of us either took Albert’s tune titles at face value or dismissed them as hippy nonsense, the French saw a much darker side to his spiritual nomenclature. Click the thumbnails for the full effect and the back button to continue the terrifying tale. From Actuel (No. 2, November, 1968) - Cartoon (A. Ayler) by J. Tallieu. 1 2 3 |
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The Wall Street Journal photoshoot? Pierre also sent me a Byron Allen interview from a 1978 issue of Cadence which contained the following intriguing item: “CAD: In the early 60s you were considered one of the new, young bright stars of the new music. What were your impressions of that period? So, here’s the question. Has anybody out there access to the archives of The Wall Street Journal to check on this? The National Observer did run an article on the new music in June 1965 under the title ‘The Moody Men Who Play The New Music’, which was included as an insert in the initial copies of Bells. The article by Robert Ostermann is on this site and there are some small photos accompanying it but nothing suggesting a special photoshoot in Central Park. If anyone can shed any more light on this Pierre (and I) would be grateful to hear from you., * And finally ... Two last items courtesy of Pierre - both adverts. The first for the Fondation Maeght from Jazz Hot (June, 1970) just to make us all weep for past glories. And the second for Live in Greenwich Village (Actuel No. 3, Jan/Feb 1969) which is a great photo of Albert Ayler being hotly pursued by Bill Folwell. |
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What’s New - January to June 2010 *** This site went online in June 2000. The ‘What’s New’ pages from previous years are available below: *** If you have any information about Albert Ayler (new CD releases, unreleased recordings, personal reminiscences) or if you can fill in any of the gaps in the discography, or correct any mistakes on the site, then email me, Patrick Regan. The Message Board is for those wishing to discuss aspects of Ayler’s life and work, so post your topics there. That’s also the best place if you have any questions about Albert Ayler that aren’t covered on this site. Hopefully the real Ayler experts (I’m just a fan) will stop by and give you the answers. Finally, if you just want to make a brief comment about the site, I’ve added a Guestbook. |
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